✍️ TWJN 154 | 27 pitch calls, writing contests, & jobs 🚨

7 pitch calls & 20 writing jobs 🦾

Happy Sunday to all you writers & creatives 👋

How’s everyone doing? I’m doing great!

Currently training for my very first marathon and feeling completely knackered after a 21 mile running session this morning 😴 Any of you runners out there completed a marathon before, and if so, got any tips for a first-timer??

Got a good round up of opps this week! Keep reading for some editor pitch calls, writing contests, and other gigs within the creative sphere 🔮

If you missed last week’s newsletter, check it out here.

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So, what do we have this week?

2️⃣ 7 calls to pitch

3️⃣ 20 writing jobs

Let’s get to it! ⬇️ ⬇️

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2️⃣ Calls to Pitch

Free subscribers receive limited updates on Sunday. TWJN Pro Supporters get complete access with an additional update on Wednesday.

Sign up to get full access to opportunities here!

($750) Porter House Review | Submissions are currently open for Porter House Review’s 2023 – 2024 Editor’s Prizes in Poetry, Nonfiction, and Fiction. There will be a free submission period from January 22 - 29. Submissions will close on the January 31. Submission guidelines here

($500 - $2,000) Asimov Press | Asimov Press is still looking for biotechnology pitches for their first issue with the theme of Biosecurity. Rates typically ranges from $500 for short (~1,000 word) pieces to $2,000 for a 'Deep Dive.’ Pitch guide here. Send pitches to [email protected]

($300 - $500) NYLON | Steffanee is always accepting music pitches for NYLON mag! Send your sharp ideas (and hot takes) about new scenes, trends, and offbeat observations to [email protected]

($300) IGN | Matt is always happy to get pitches for features relating to either big new releases or important anniversaries. Rate is $300 for ~1,400 words. Email pitches to [email protected]

($100) Dread Central | Horror fans! Dread Central is seeking pitches from Black genre fans as part of their annual Black History Month programming. They’re specifically looking for Black writers at any experience level to share their perspectives on the horror genre. Submission guidelines here

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